photo shared from Liane Carroll’s Facebook page
Liane Carroll… It is with great sadness I have to announce to those that may not have heard, that Chris Hutchinson passed away Thursday night. A wonderful, brilliant singer snd entertainer, and a truly beautiful gentleman. Much love and sympathy to dear Charlotte and other members of his family. R.I.P.Dear Chris. Thank you for your lovely music. Xxxxxxxxx
Ernest Ballard… That’s sad news
Tanya Eldridge… Sorry to hear. Bye bye Chris. I’ve been singing The Nightingale Sang in Barclay Square last few days and thinking of you. RIP and comfort and in great happiness. You shared so much joy. Love Tanya x
Philip Wood… So very sad to have heard this awful news, earlier today. We met in 1969 – shared a flat, for a while, had many, many laughs together – and a love of music. Why didn’t I call him in the New Year…….. Sincere condolences to Charlotte. I will be playing his music soon xXx
Funeral arrangements… 30th March at 3.30pm Hastings Crematorium.
Verna Juliana… Goodbye Chris…..II hope you are with your friends in that jazz club in the sky…
Cliff Fudge… Have been trying for years to track down Chris as we were both at Fortescue house school in Twickenham between 1960-65 where we formed a band for speech day 64 called the so’n’so’s doh! we both had a great love of music then I have now been playing drums pro on & off since 1971 all over the world-so good bye Chris my friend. Cliff Fudge.
Xilo Pan… Great man …amazing voice in song and in spoken …
supplied by Xilo Pan
Renowned folk singer-songwriter Roy Harper will be gracing the stage of the De La Warr Pavilion next March when he embarks on his major UK tour celebrating 50 years of classic tracks, including famed epic McGoohan’s Blues from his 1968 album Folkjokeopus.
One of the very few surviving singer-songwriters from the counterculture of the 60’s, his career has spanned six decades. He has enjoyed collaborations with and tributes from many of his contemporaries, including Led Zeppelin, Kate Bush, Pink Floyd’s Dave Gilmour, Jethro Tull’s Ian Anderson and many more with Fleet Foxes, Joanna Newsom and Johnny Marr affirmed fans.
More details… https://www.dlwp.com/event/roy-harper/?dm_i=43IV,B5YB,2SUPCN,18580,1
Photo: Neil Partrick
Alan (left) with Bobby Valentino (fiddle), Les Morgan (drums) and Tony Reeves (right,bass)
“Is this a supergroup?” asked a friend of mine as we took our places last night in the third row of this tiny, historic, yet barely half-full Hastings cinema. If about 250 years of combined experience playing with some of the most important western musicians of the 20th Century fits the bill, then The Prisonaires are definitely a supergroup. While not household names, any blues, jazz-rock, folk, or rock enthusiast will understand that these gentlemen were pivotal to some of the most ground-breaking music of the 1960s and ’70s. Yet there were plenty of empty seats in a venue that only has 48 of them.
Acoustic guitarist and leader of the band, Alan King commented wryly that scheduling a gig during an international football tournament is always a disaster. But can it be that south-coast music buffs preferred staying at home to watch telly in the hope that Argentina would defeat the French, than attending a gig of this quality? When The Prisonaires finished their set a member of the audience stood up and shouted that it was the finest gig he’d seen in Hastings in years. It was one of the finest gigs I’ve seen anywhere in years.
Musical impresario, Alan King was a doyen of the famed 12 Bar Club, the ‘60s Soho music venue that gives the name to Dr King’s ‘12 Bar Music’, the platform for this and for some forthcoming Electric Palace gigs. King told me outside the Gents – the Electric Palace is so small that the toilets are never far away – that he is lucky enough to have played with his favourite guitarists, Davy Graham and Bert Jansch, and his favourite singer, Miller Anderson For many years King also played with his favourite songwriter, Alan Hull (of Lindisfarne).
The aura of Graham and Jansch hung over proceedings as King opened the set riffing on the rite of passage folk guitar tune, ‘Anji’. What the advance publicity promised would be a hybrid of The Pentangle and Can, “with a touch of Miles Davis’” jazz-rock-funk fusion, was underway. ‘Anji’ went from sounding like The Pentangle were performing it, to something with a lot more attitude. Almost like Fairport Convention’s ‘A Sailor’s Life’, but lifted beyond even that wonderfully free-flowing, folk-jazz hybrid However I couldn’t detect the influence of Can on this or on any of the other tunes The Prisonaires performed last night. It was undoubtedly an eclectic set though, and The Prisonaires have certainly embraced Can’s determination to kick against the musical pricks.
To read more of this review please click the following link… http://oldfolkrebels.blogspot.com/2018/07/the-prisonaires-live-at-electric-palace.html