SMART SOUNDS by Colin Bell reviewing Mike Hurst: In My Time – Recordings, Productions and Songs 1962-1985, 4CD Box Set

IN MY TIME (1962-1985)     Mike Hurst  (4CD Set)

Settle down guys there’s a lot to get through here! If the name Mike Hurst doesn’t immediately ring a bell with you trust me you have heard him or one of his productions. Mike is one of the pioneers of the UK music industry. A singer/songwriter/producer, his body of work is frankly enormous. This excellent new 4CD box set from Strawberry Records covers just 3 decades of his career yet spans 93 tracks! spanning Mike’s solo recordings, those with his early beat band, his tenure in The Springfields, his later ‘singer/songwriter’ phase of the 70’s and his work with internationally renowned artistes as a sought after record producer. Listening to the collection has been in turns, delightful, surprising, baffling, hugely enjoyable and sometimes (sorry Mike) in a few instances dire, but anything but dull. Pushed on stage aged 4 by his mum and meeting the great Buddy Holly at a stage door in London when he was 16 were the catalysts that set Mike on his career path in the music business. And what a career the man has had. I don’t have the space to write a book (he should write his memoirs) let’s take each of the 4 discs in the set in turn and i’ll precis them and give you a taste of what to expect. Disc1 starts with Mike’s early singles from the 60’s which for the first 8 or 9 tracks or so are pleasantly typical offerings of early rock and roll. The sort of fare you would have heard from his contemporaries like Marty Wilde, Vince Eager, etc unremarkable but perfectly listenable. Then comes track 11 ‘I Couldn’t Wait To Tell You’ i sit up as he comes out with a song my great friend Peter Sarstedt might have made, this is more like it. Then the next track ‘Mexican Melody’ is redolent of one of those songs Pat Boone would show up playing in a naff 60’s American ‘beach movies’. Having recovered from that, the next track ‘For Always’ further confuses me as Mike turns in a performance Gene Pitney would be proud of! Now you know what i meant when i said baffling! Mike himself says in the accompanying booklet he enjoyed this phase of his career, especially the cuts he made with his band The Methods who contained who else but the ubiquitous Jimmy Page, sometimes i think Jimmy was the only guitarist in London in the 60’s! Disc1 concludes with 7 bonus tracks which contain 2 gems from Mike’s first big break as we skip backwards to 1962 when he replaced Tim Field and joined Tom and Dusty in The Springfields. ‘Silver Threads & Golden Needles’ & ‘Island Of Dreams’ evoke in me happy golden childhood memories of time spent with mum and dad, lovely. Then i’m jerked out of that by Mike Hurst’s Orchestra playing the theme to ‘Mission Impossible’….Let’s move on, Disc2. This comprises 2 albums Mike made in fairly quick succession for Capitol Records in the 70’s. This is Mike in archetypal ‘singer/songwriter’ territory exploring different themes and encompassing various genres in what might be described as a bit of a scattergun approach. There’s the lushly orchestrated tracks such as ‘To My Daughter’ & ‘Hung Upside Down’ the introspective and rather lovely ‘All I Can Do Is Sing’ before changing tack with the jazzy ‘Photograph Of Love’ and then just to keep me on my toes the next 3 tracks turn in a ‘country’ direction, I leave Disc2 baffled with the question will the real Mike Hurst please stand up?! Disc3 begins and i have landed in familiar territory as we meet Mike the Producer, who after the demise of The Springfields, and his solo and band ventures, set off for pastures new as a Producer at Andrew Loog Oldham’s Immediate Records. There are some wonderful tracks from the likes of Chris Farlowe, Warm Sounds, Barry St John & a demo of Pat Arnolds’s ‘First Cut Is The Deepest’ which in 50 years of knowing Pat i’ve never heard before! Away from the Immediate stable of artistes there are other great productions for Paul & Barry Ryan, The Move, Colin Blunstone, The Spencer Davis Group, The Episode & Marsha Hunt demonstrating how versatile Mike is. I did say earlier i experienced a few ‘dire’ moments. Two of them sneak in amongst all these great tracks in the shape of New Worlds ‘Tom Tom Turnaround’ & Fancy with their truly awful version of ‘Wild Thing’   if there’s 2 songs in this world i loathe….But overall Disc3 is great and probably the most enjoyable in the whole set. That just leaves us with Disc4 which if i said the best term for describing it is ‘eclectic’  i don’ think you’d argue, when you see a tracklist of Mike’s further productions where sitting next to each other are The Bachelors, Shakin Stevens, Showaddywaddy, Cilla Black, Lena Zavaroni and The Four Tops! Not forgetting the original version of  ‘Video Killed The Radio Star’ by Bruce Wooley & The Camera Club..who knew that? I certainly didn’t. However nestling amongst this bizarre range of artists is a name i recognise and is of local interest to Hastings. That name is Sundance with a track ‘Never Going Back’. Sundance were a vehicle for Mary Hopkin, Mike De Alberquerque (ex ELO) and Mike himself, Also present performing on some tracks were our very own, late and much missed, Steve Demetri on drums and Andy Qunta on keys. So i spoke to Andy about his recollections of Mike, he said the following ‘ the track i played on was called  ‘What’s Love’ and featured Ray Fenwick on guitar, Steve on drums and Steve ‘Vince’ Price on bass. Mike was very nice to work with, and it all went very smoothly, i liked the song and still listen to it’. I’m very grateful to Andy for that first hand account of working with Mike Hurst. Another old friend Pete Prescott also worked with Ray Fenwick and Mike too i believe. Mike is clearly a man possessed of a mighty talent and still going strong as he approaches his 8th decade. He can currently be heard hosting a radio show on The Wireless on DAB and the Internet. Strawberry Records have done a fine job with the sturdy fold out packaging on this compilation and i warmly recommend the accompanying booklet which contains some wonderful tales from Mike including a must read one concerning Chris Farlowe, a story i’d heard from Chris years ago and wasn’t sure i believed until now!  Fascinating. Enjoy……

for more information go to https://www.cherryred.co.uk
Til next time……stay safe …….Colin

Pete Prescott… I’ve got an earlier compilation of Mike’s. There are a few tracks that are, as you say, baffling and bizarre. He’s had such a varied career. He should write a book. Thanks for the info !

The Humperdinks – Regent Hotel – Any photos?

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supplied by Mick O’Dowd

Mick O’Dowd…Played The Regent as Dj quite a few times. Saw bands there such as Group Therapy (with Robin Farrant of Farrant & Reid wholesalers), Circuit Four, The Humperdinks and others. Didn’t Alan Jensen do regular nights here when you couldn’t get to the bar for bodies and your beer was passed over a human chain so that when it arrived it was only half a pint! That’s rock’n’ roll! T’was a great venue.

Pete Millington… I was a regular there and on many occasions struggled to get a beer. No chance of getting P****d in those days with 10:30 or 11:00 closing time. The Talismen, Spyke, Unabridged Telephone Directory come to mind as groups you can add to your memory banks.

Nigel Ford… Why “Don’t forget your Rolling Stones LP”?

Andre Martin… The reference to the Stones LP must have been because this is April 64 and the Stones had released their first Album about this time, so AJ not wishing to miss the chance for a plug, added to the advert.

Lloyd Johnson… Has anyone got any photos of ‘The Humperdinks’ playing The Regent Club below The Regent Hotel in the 60s ?…it was towards St.Leonards on the seafront, Kenny Comfort, Lynn Grant, Melvyn Grant and Brian’Bonzo’ Redfern were the members of the group/band.I think they had a few write ups in the local press at the time…

John Gale… I remember the Regents Hotel, nice little venue about halfway between the pier and Warrior Gardens , my dad use to drum there in the 70s regularly, mainly as a duo with a keyboard player, I remember he had some good nights there.