Colin Bell… I was looking for something in my archives (I must organise them one day!) and came across this. I was struck by the artwork and how creative it was then. Samantha’s was in a basement off Regent Street and I was introduced to it on a night out with Clem (from the Foundations) and Jimmy James, from memory it was around late 1969 early 1970. A great place with soul bands appearing and the D.J. ‘booth’ was the body of an E Type Jag (very swinging sixties). Drinks 2/6d! You could get well pissed for a coupla quid! I was lucky enough at that time to have the use of a mate’s flat in Berwick Street Soho, ideally placed to go to all the great clubs. Many hours spent at the Marquee, Whisky-a-go-go, the Flamingo, Middle Earth and Hatchetts in Piccadilly, a great club over 3 floors with a chill out bar level, a restaurant with a glass wall overlooking the ‘disco’ floor. I’d be interested to hear any memories of this period from other Smart members? Great times and great memories…………..
Alan Esdaile… Happy days in Wardour Street at The Marquee. Also the Speakeasy. Also remember auditioning bands at Tiffanys nightclub in Shaftesbury Avenue and a club in Piccadilly with the disco on the top floor, mirrored lift and the club had records stuck to the wall. 100 club, Roxy, Ronnie Scotts etc.
Peter Fairless… Went to some dodgy, some good clubs in London. Some were very dodgy but very good! Can’t remember all the names but most of those listed above.
Steve Gage… My mate Ray was a bouncer at Samanthas where are you now mate??? 🙂
Mick O’Dowd… Went to The Q Club in Paddington after seeing James Brown at The Rainbow in the 70’s I think. JB turned up after we got there and jammed with the band. Awesome!
Wendy Weaver… I went to Samantha’s in the 70s, loved the E Type jockeys booth. I worked in offices above La Valbonne in Regent Street for a few years. It had a large glass tank where people went for a dip – sometimes with their clothes on !
Eugene Hughes… I went to the Valbonne Wen. And Skindles in Maidenhead. Louis Brown has them both. Kingley St was la Valbonne.
Lena Jansson… Tiffany´s in Shaftesbury avenue was my favourite disco in 1977-1979, I remember the live band Gullivers people and the two DJ:s Ken Norton and the other one I can´t remember the name of, Dave? David? Would be great to hear from someone else who used to dance the nights away at Tiffany´s!!
Lena Jansson… I only remember the female singer of Gullivers People, I think her name was Kim or something like that, a name that both women and men use. She was quite tall with dark curly hair and a very strong voice. Their best cover was Alright now, a great song by Free.
Alan Esdaile… Can you remember who the support was Colin?
Matt Thomas… Probably played one of my favourite tunes ‘Rosetta’
Mick O’Dowd… Remember working on this one. I think it may have been Martin-Casson only gig at White Rock.
Colin Bell… I can’t be absolutely certain but I think they were called ‘Highway’, I remember the actual night very well as they were a heavyish rock band and the audience hated them! I should add that it wasn’t because Highway were bad far from it, it was just not what the audience were expecting as a support act, I liked them! The late Paul Casson and I hid in the bar til the second half when F & P did their set. Fortunately the night then ended well! Not the best night to be compere, especially in my home town..lol..Also backstage it was clear F & P didn’t get on, they arrived separately didn’t speak a word to each other and left separately without a word. On stage together chemistry, offstage………Ah the memories!..
Pete Prescott….after Brian Johnston left the reformed Geordie to join ac/dc i was briefly in the band that struggled to continue (with a different name – the DUDES ) they tried terry slesser from crawler.i replaced him.i recorded three tracks with them at Luxembourg studios.they wanted me to re locate to newcastle.i couldn’t do that.nice guys.
Yvonne Cleland….Great band, Geordie! Saw them on the pier! it was a good gig!
Pete Fairless….The best Slade record Slade never made!
Pete Prescott….i sang love if you want it another night in the city and the last one escapes me.i think i have the versions of terry slesser singing them as well as mine.brian sang nutbush city limit at the ac/dc audition and got the job instantly.i was told he is a nice guy.
Andy Qunta…..singer of Geordie was Brian Johnson, who later joined AC/DC, and still with them now! After Factory’s gig with them in Torquay, I met him in the motorway services Gent’s (accidentally, not pre-arranged, before your minds start working overtime!). He was very flustered! He had been driving their truck, it was one of those where the cab tipped forward to get to the engine. After checking the oil or something, apparently the cab wasn’t locked properly, so when he got to some traffic lights, the whole cab tipped forward, and he was properly freaked out! Geordie almost lost his liggy!
Peter Howard… I know one of Bitch
Colin Bell… Always handy to know what i was doing ! I remember Brian (Johnson) being a really nice guy, sadly i don’t remember Bitch.
POUR A LITTLE SUGAR ON IT (THE CHEWY CHEWY SOUNDS OF AMERICAN BUBBLEGUM 1966-71) 3CD SET
At long last those wonderful people at Grapefruit Records have put together an exhaustive new compilation of what many have derided over the years as disposable (being polite) or simply just crap music (being impolite!) the genre that became known as ‘bubblegum music’. Characterised by 3 minute, 3 chord (deceptively) simple pop melodies often with meaningless lyrics played by many ‘bands’ a large amount of which didn’t exist, but comprised studio concoctions using session managers. The whole sound was aimed at capturing the early teen market in America in the mid-late 60’s as pop and rock music grew more sophisticated for older buyers. It’s roots can reasonably be traced back to the advent of The Monkees and their manufactured pop sound created in 1966. With their massive success came many more imitators jumping on what became, at least, for a few short years a lucrative bandwagon. On this new compilation just about every major successful effort is represented alongside a wealth of long obscure ‘bands’. This new 3CD set comprises of 91 tracks spanning 4 hours of sugar sweet sounds that defined ‘bubblegum’ so sit down with a sherbert fountain or a bag of dolly mixtures and here’s what you’ll find. Disc1 kicks of with a trio of songs that exemplify the whole bubblegum movement with ‘Simon Says’ ‘Yummy Yummy Yummy’ & ‘ A Little Bit Me A Little Bit You’ by respectively the 1910 Fruitgum Company, Ohio Express & of course The Monkees. The first 2 tracks came out of New York based Buddah Records who were undoubtedly the kings of the genre (after Don Kirschner with The Monkees). Buddah gave us the majority of the really big hits from the aforementioned 2 bands plus Kasenetz-Katz Flying Orchestral Circus, with ‘Quick Joey Small’, Lou Christie with ‘I’m Gonna Make You Mine’ & ‘She Sold Me Magic’ (all included) & a host of others. As ever its away from these big names that the long forgotten and obscure sit with fabulous names such as Salt Water Taffy, Lt Garcias Magic Music Box & The Raspberry Pirates all giving us their take on the genre. There are some surprising names on Disc1 (as there are on Discs2 & 3) that are included as they had an abberation away from their normal output. The Grass Roots & Neil Diamond to name a couple. However I must take issue with the inclusion of The Electric Prunes! A beloved group of mine! Ok, ‘Everybody Know You’re Not In Love’ may be a long way from ‘I Had Too Much To Dream Last Night’. But bubblegum?! No siree! Other well remembered names from Disc1 turn up with Crazy Elephant, Lobo & The Cuff Links. The latter sporting Ron Dante on lead vocals. Ron was to American pop what Tony Burrows was to us over here in the UK. He was everywhere as a studio session singer as well as putting out singles under his own name, examples of which you can also hear on the compilation. Disc2 begins with a big personal favourite ‘I Think We’re Alone Now’ from Tommy James & the Shondells whose record company Roulette Records also were heavily involved in releasing bubblegum. This is followed by The Lemon Pipers with the evergreen…er ‘Green Tambourine’! a fusion of bubblegim & psyche. Other treats come from Gary Lewis & the Playboys, Mama Cass, Bobby Bloom, Tommy Roe & The Archies. Again its the lesser known that provide some extra treats with the likes of The Pineapple Heard with an excellent version of ‘Valleri’ made famous by The Monkees. Again there are some unlikely names cropping up with forays into bubblegum territory including The Beach Boys, The Cowsills and would you believe The Velvet Underground! Again I have to take issue with the inclusion of The Box Tops who are featured twice, they were definitely pop/soul in my book, but heyho each to their own opinion. Finally Disc3 serves up more big hitters with Melanie, Rick Nelson & Bobby Sherman to name but three. Plus more hits from 1910 Fruitgum Company, The Lemon Pipers, Kasenetz Katz, John Fred & his Playboy Band and more. Amongst the obscure treats are tracks from South Amboy Port Authority, The Peppermint Trolley Company & The Love Generation amongst others. I’d have to argue again that the inclusion of Bruce (‘Hey Baby’) Channel with ‘Keep On’ merits the bubblegum tag, more pop/soul yet again in my book. The whole compilation comes to a close with what is really the poster child for the whole movement with The Archies ‘Sugar Sugar’ (video coming up). Its a funny old world, especially in music. I started by saying bubblegum was defined by 3 minute, 3 chord disposable songs with meaningless (in the main) lyrics. For this the artists were often derided and looked down upon by ‘musical snobs’, which i find pretty funny and ironical. If you wound the clock on a decade to 1976 it was all repeated, the 3 minute, 3 chord……etc. Except this time it was called Punk….which ‘musical snobs’ embraced….think about that. As ever this compilation comes housed in a sturdy clamshell box complete with a fascinating 48 page booklet. Enjoy.
Mick O’Dowd… What a compilation Colin. I’m with you regarding the simplicity of the genre. This gave us DJ’s a lot of dancing toons between them and were also very popular. Like you, there are several names on there that I wouldn’t put in that genre but hey ho!
Colin Bell… Hi Mate, certainly brings back some memories for us
‘I LIKE IT’ ANTHOLOGY 1963-1966 GERRY AND THE PACEMAKERS (3CD SET)
I’m delighted to bring you this latest fine compilation from Strawberry Records. Back in 1963 at the birth of Merseybeat in Liverpool, Gerry & the lads were serious contenders to The Beatles crown and this exhaustive new collection brings that home. Running to roughly 4 hours of listening time and spanning just under a 100 tracks (98) it reminds you just how successful they were. Sharing both The Beatles manager Brian Epstein & record producer George Martin they released some classic singles. As I’m sure most pop fans are aware, but if not, they were the first UK band to have their first 3 single releases all go to No 1, ‘I Like It’ ‘How Do You Do It’ & ‘You’ll Never Walk Alone’ a feat even the aforementioned ‘fab four’ didn’t match. That record was to stand for 2 decades until eventually matched by Frankie Goes To Hollywood in the 80’s. So what does this new compilation have to offer on its 3 disc? As you might expect Disc1 contains all the hit singles that the band had between 1963 and 1965, as well as the big 3 already mentioned there are ‘I’m the One (No 2) & my personal favourite the haunting and exquisite ‘Don’t Let The Sun Catch You Crying’ (No 4 in both the UK & USA). The latter written by Gerry for his then girlfriend, later wife, Pauline, has to be one of the greatest love songs ever written in pop music. Gerry was a prolific writer, roughly half of the tracks on the compilation were composed by himself, it’s fair to say they are not all as great as DLTSCYC, but he was no slouch. He also had the ability (& taste) to cover others great songs such as ‘You’ll Never Walk Alone’ from Carousel & a personal favourite ‘Walk Hand in Hand’ written by Johnny Cowell with aplomb making them his own. Disc1 also contains some rockers such as ‘Maybelline’ ‘What I’d Say’ & ‘Dizzy Miss Lizzy’ also recorded by The Beatles who provided Gerry with ‘Hello Little Girl’ also contained here which was originally planned to be their 3rd single. Elsewhere there are more tracks by Gerry quite a few of which are new to me. Disc2 kicks off with the massive hit from the film of the same name ‘Ferry Cross the Mersey’ like YNWA another enduring classic for which Gerry will always be remembered. Followed by another UK hit with ‘It’s Gonna Be Alright’ (No 24 UK & USA) more covers of rockers abound with the likes ‘Reelin & Rockin’ & ‘A Whole Lot of Shaking Going On’ sitting alongside many original songs written by Gerry. As I said earlier not all his songs reached the gold standard of DLTSCYC and its cleat that his contemporaries John & Paul were moving ahead at a much greater creative pace by ’64/65′ with songs such as ‘And I Love Her’ & ‘I Feel Fine’ leaving Gerry’s songs feeling somewhat mundane with their simple ‘Moon & June’ style compositions, and i think the slowing down of his success by the mid 60’s does ultimately come down to the songwriting in my humble opinion. Disc3 contains a jewel in the crown of this fascinating compilation with the presentation of a live concert recorded in Oakland California in 1964 where the guys sound on fabulous form as they deliver the hits and more, and the recording quality is excellent. Throughout the compilation there are scattered ‘alternate takes & mixes’ of various tracks and the set is brought to a close on Disc3 with (amongst some others) some stereo versions of DLTSCYC ‘Ferry Cross the Mersey’ & a lush ‘Walk Hand in Hand’ and they sound simply magnificent reminding us what a warm and special voice Gerry possessed. As ever the digipack is packed with photo’s and facsimile posters under each disc (a nice touch) and the usual informative and colourful booklet. A thoroughly recommended listen. Enjoy.
Mick O’Dowd… Nice compilation including a lot that i’ve never heard before not being a huge fan. Welcome back Colin. Missed your reviews!
Alan Esdaile… Likewise I always loved ‘Don’t Let The Sun Catch You Crying’ and ‘Walk Hand In Hand’
Nigel Ford… Lambretta Li Series 3 – no dampers on front forks and no disc brake like the bigger-engined TV’s had. My mum’s sister, Auntie Winnie, took brother and I to see Ferry cross the Mersey plus another, maybe one featuring Heinz (?) at the Gaiety cinema Queens Road in ’63/64 ish one easter /summer school hols ,probably on a wet day…….Kia-Ora anyone, or a paper-wrapped block of ice-cream in an oblong cone?
It’s not often these days that i write a review of music, that largely in this particular case, predates my own all consuming interest in the subject. This fine new compilation from Strawberry Records, as the title says, spans the 1960’s from 62 to 69 with a lot of the tracks springing from the earliest of those first years. In 1962 i was 10 & to be fair more interested in my Hornby train set at that stage, however 2 years later in 1964 I would fall firmly in love with music and the trains would gather dust. This 3 CD compilation turns the spotlight on Merseybeat & all those 1000’s of band’s that formed in the wake of The Beatles & indeed some that even pre-date The Beatles such as the Vernon Girls, Remo Four etc. As you might expect, you will not find any Beatles tracks on this compilation due to licensing terms, but that doesn’t mean other big names don’t feature. I liken it to a flotilla setting out to sea headed by battleship The Beatles which has disappeared over the horizon, but in its wake has left us listening to heavyweight cruisers like The Searchers, Gerry & the Pacemakers, The Swinging Blue Jeans, Cilla Black, The Fourmost, The Merseybeats etc plus a whole lot of support vessels in the shape of bands that made some great records but were destined to be confined to long forgotten history. Due to the brevity of most singles back then, there are 83 tracks spread over the 3 CD set. There are importantly a number of firsts for those who are just that bit more senior than me. & will more fully appreciate the earlier material, including 5 newly re-mastered tracks from the Joe Meek ‘Tea Chest’ tapes discovered some years back, including 2 excellent cuts from The Cryin’ Shames with ‘Please Stay’ & The Maracas with ‘A Different Drummer’. Elsewhere rarities abound, including a number from the vaults of legendary American producer Shel Talmy who would later produce The Who & The Kinks, here represented by Birkenhead band The Pathfinders with the previously unreleased ‘Lonely Room’. Samantha Jones, ex member of the previously mentioned Vernon Girls puts in an appearance with a newly discovered acetate of a soulful number ‘This Is The Real Thing’. It happens i remember Samantha who i met some years later when she was recording for Penny Farthing Records, a charming lady. Somebody else i worked with in the 70’s also crops up in the shape of Eddy Arnoo then of the hit band The Real Thing, but here singing back in 1963 with The Chants & ‘Come Go With Me’. Of all the many recorded versions of ‘Do You Love Me?’, I’ve always been partial to Brian Poole’s version, however after hearing Faron’s Flamingos take included here, i think i have a new favourite version. It can’t be underestimated how hugely influential Merseybeat was as a musical movement, certainly here in the UK & for spearheading what became known as the ‘British Invasion’ in the USA. As i have already mentioned the early tracks don’t connect with me personally as much as those that followed later. But I can fully appreciate how exciting it was for those a few years older than me back then in ’62/63 listening to the likes of The Big Three taking on Ray Charles ‘What I’d Say’ live at the famous Liverpool Cavern club (hear the YT clip at the end of this review) the atmosphere is palpable. The first 2 CD’s in the compilation sum up that early period with a good selection of familiar big hits from The Searchers, Billy J Kramer, The Mojo’s etc combined with a plethora of names i honestly confess to not knowing. As is usual with any Cherry Red release the fully annotated booklet that accompanies the compilation does provide an excellent source of information. The 3rd CD in the set was i confess much more to my taste as it explores what happened post Merseybeat to some of its stars and also rans. kicking off with ex Searcher Tony Jackson with his band The Vibrations & a slice of freakbeat ‘Fortune Seller’, a blinding track from Wimple Winch, a band i usually associate more with psyche leanings & their ‘Rumble On Mersey Square South’. One of my all time favourite singles of any genre in the shape of The Merseys ‘Sorrow’ puts in an appearance in an alternate mix. It was produced by my old boss Kit Lambert co-founder of Track Records. What came as a genuine surprise to me was a further track from the band Kit produced, namely ‘So Sad About Us’. Who fans will recognise it as an album track from their ‘A Quick One’album. I can’t understand why I’ve never heard it before?! especially after a lifetime being around The Who, Kit etc but everyday is a school day! The compilation is brought to a close with Liverpool’s national treasure the late Cilla & ‘Step Inside Love’. Which is an apt invitation to anyone who lived through the exciting birth of Merseybeat to lend an ear to this collection. It comes as previously mentioned with an informative booklet & is housed in a sturdy clamshell box containing the 3 CD’s in separate cardboard sleeves. Enjoy.
Bob Searle… Great Colin. Still have my Big Three EP fantastic
Mick O’Dowd… What a compo Colin. Cryin’ Shames (not to be confused with The Cryan Shames) was an all-time faves along with the Big Three. I always treasured the EP live at the Cavern where this track was culled. The Undertakers were another fave along with The Chants. So many memories! Great stuff!!!!
Danny… The Maracas. Brings back great memories of the era. Great band!!
Joe Jones… Danny, Did you know of them at the time?
Hi all, with apologies, I’m currently unable to bring you the full Smart Sounds reviews that usually occupy this space due to personal issues. However there are 2 new excellent July titles from Cherry Red that I wouldn’t want to pass you by…they are….
Can’t Seem To Come Down – The American Sounds of 1968, Various Artists 3CD Box Set
A splendid romp through 80 tracks of American rock & pop nuggets all released in 1968 as per the title. From the very well known…Love, The Monkees, The Byrds, The Beach Boys, through to names you may have forgotten such as Spirit, Strawberry Alarm Clock, Quicksilver Messenger Service, H P Lovecraft..and on to some gems from obscurity including the baroque rock pop of Debbie Harrys first band Wind In The Willows, this release with its accompanying 48 page informative booklet delivers hours of pleasure for 60’s music lovers like myself.
Don Fardon: I’m Alive – The Don Fardon Anthology 1967-1974, 3CD
With a wealth of never before released material this new, & as far as I’m aware, first really comprehensive anthology of ex Sorrows lead singer Don Fardon is an absolute must for his many fans. Mostly famous for his international hit ‘Indian Reservation’ this 81 track compilation features his other hits and club favourites such as ‘Belfast Boy’ ‘Gimme Gimme Good Lovin’ Mod favourite ‘Treat Her Right’ & much more besides, including one of my all time favourite tracks ‘I’m Alive’, a track i wore out playing at my disco gigs back in the day. Here it is now. Enjoy.
‘LIVE SENTENCE’ Alcatrazz (Deluxe Edition CD/DVD) HNE Records
As regular readers of S.S. will know this is my all time favourite metal band of the 80’s. A coupla months back I brought you their debut album ‘No Parole From Rock and Roll’. As mentioned in that review Alcatrazz were a HUGE success in Japan especially. To capitalise on the albums success they took to the road to promote it and Live Sentence is the result. Recorded in January 1984 in Tokyo the set list includes most of the tracks recorded for NPFR&R, minus annoyingly ‘Jet to Jet’, a personal favourite! However that’s a small niggle. Along with ‘Island in the Sun’, ‘Hiroshima Mon Amour’ ‘General Hospital’, all classics in my view Graham Bonnet treats us to his solo success with ‘Night Games’ and re-visits his sojourn with Rainbow to deliver ‘Since You’ve Been Gone’ and ‘All Night Long’ to the evident delight of the audience.
This release comes as 2 discs, disc one audio and disc two a DVD. At last I can dispense with my er bootleg footage! The audio and video quality of the DVD is surprisingly good for its age and stands up well. Like me you can now marvel at the 20 year old prodigy Yngwie Malmsteen in all his glory. And a glorious thing to watch it is! His neo-classical shredding is jaw dropping!
Not since I first saw Hendrix have I ever been so transfixed by a guitarist.
‘Kree Nakoorie/Coming Bach’ is mesmerising, yes he’s over indulgent at times compared to the studio recordings, but hell’s teeth he’s simply amazing even when he’s being arrogantly OTT! He knows he’s a ‘Rising Force’ and I forgive him, if I had his talent I doubt i’d hide my light under a bushel.
To cap it all off there’s three bonus tracks recorded at the Rock Palace in the USA including ‘Too Young To Die-Too Drunk To Live’. They don’t write them like that anymore, more’s the pity! For all Graham Bonnet/Malmsteen fans this is an essential addition to your library. PLAY IT LOUD!
‘MILES HIGH’ John Miles (Lemon Recordings)
This is the first time on CD for what was John’s fifth studio album released originally in 1981, at that time it only reached a rather disappointing 96 chart position. Two singles were released from the album in the shape of ‘Turn Yourself Loose’ and ‘Reggae Man’. John is undoubtedly a fine musician, singer and guitarist and indeed a writer having composed the 10 tracks here. There is nothing intrinsically wrong with the album, for me however nothing really leaps out at you. Its a polished affair and plays like a soundtrack to an American series of the Eighties (Miami Vice springs to mind) its slick AOR and maybe therin lies the problem for these ears its all a little too bland for my taste. John is without doubt a musicians musician and has contributed his skills to the likes of Joe Cocker, Tina Turner and the great Alan Parson’s project. Overall one for completists of his canon of work methinks, or fans of the Eighties slick pop genre.
Stephen Carson… Hi Colin. Just to let you know Cherry Red are releasing a box set of John Miles albums 1983 – 1993 which includes Play On on CD for the first time. It comes out on July 19 2024.
I must start off by saying I have been waiting a long time for someone to finally come up with a definitive collection of the work of twins Paul & Barry Ryan. At last thanks to 7T’s Records its finally here & it doesn’t disappoint. The project has been lovingly overseen by Indie band member & journalist Bob Stanley of St. Etienne who is a big fan of the twins work which comes through in his essay on their work in the accompanying booklet. Which is crammed full of fascinating titbits, many of which I’d not been aware of before. So what does this new release comprise of, well the answer is a hell of a lot! There are 95 tracks spanning 5 separate discs each contained in their own cardboard sleeves inside a sturdy clamshell box complete with the aforementioned booklet. As with all Cherry Red releases the packaging quality is of a very high standard that always delights. The discs are broken down as follows: Disc1 Barry Ryan Sings Paul Ryan 11 tracks- Barry Ryan 12 tracks. Disc2 Barry Ryan 3 12 tracks Red Man 12 tracks. Disc3 Sanctus Sanctus Hallelujah 12 tracks Disc4 Barry Ryan Rarities 1968-72 19 tracks & finally Disc5 Barry Ryan Rarities 1975-79 17 tracks. Clearly I can’t give you a track by track critique, this would turn into a book! However here’s some observations & highlights to whet your appetite. When Paul decided he’d had enough of touring live (something he hated) in 1967 he chose to step back & concentrate on writing songs (mainly) for his brother. In 1968 he created what would become, in my view, the greatest Power Ballad of the 60’s (or possibly of all time) when he came up with the international No 1 ‘Eloise’. I’ve never met anyone who doesn’t love the song. I didn’t know until now that Paul wrote it after being inspired (& becoming rather obsessed with Richard Harris’s ‘MacArthur Park) & became determined to write his own epic. He certainly succeeded! And here I’d just like to profusely thank the compiler on this new release who has used the FULL version of ‘Eloise’ which starts & ends with what is best described as ‘maniacal’ laughing by Barry, a small thing you might think, but those few extra seconds just make the song even more perfect! Interestingly those vital seconds were missing on the original single release & on the Italian version on this compilation. The First album in the set as aforementioned concentrates on Barry singing his brothers songs, as indeed does the second album. There are gems galore to be found, obviously ‘Eloise’ but add to that ‘The Colour of My Love’ a hit in a cover version for Jefferson (Geoff Turton of the Rockin Berries) although surprisingly not for Barry in the UK as Polydor chose not to release it here. However he scored with it across Europe. In fact most of his subsequent hits were all in Europe with Germany being a particularly lucrative market for Barry where he remained very much a star for decades after giving up music in the mid 70’s to concentrate on his photography business. Track 6 ‘My Mama’ as the sleevenotes point out was another epic production to rival ‘Eloise’ which the twins mum, successful singer in her own right Marion Ryan must have been flattered by. Its a full blooded tour-de-force. Elsewhere ‘Love Is On The Way’ is an achingly beautiful song, followed by ‘What’s Been Sleeping In My Bed’ a curious song in many respects, but one which had me re-visiting it for its quirky melody. The second album simply titled Barry Ryan kicks off with a personal favourite ‘The Hunt’ yet another epic construction a No 22 hit. Where else in a rock song would your hear somebody crying out ‘Tally Ho’! In impassioned fashion! I don’t want to throw a lot of titles that may mean nothing to you if you are not familiar with the twins work, but other highlights include ‘No Living Without Her Love’ & ‘closing track ‘Where Have You Been’. Moving on to Disc3 & we are treated to a mix of songs from Paul & outside song-writers. It kicks off with the first recording of Cat Stevens classic ‘Wild World’ or as titled here ‘Its A Wild World’. It has a very fetching string arrangement & is an agreeable enough version, it just lacks the passion of Cat’s take. Highlights elsewhere are ‘Stop The Wedding’ ‘What Is Wrong With My Women’ & ‘Who Put The Lights Out’. The second album on Disc3 Red Man, opens with the title track, a hit in faithful Germany & France. Here in the UK it was un-issued in favour of ‘It Is Written’ a religious themed work that did no business at all The best track on the album in my view belongs to ‘All Thoughts Of Time’ a beautiful & tender ballad. The religious theme came to the forefront on Disc5 Sanctus Sanctus Hallelujah with the opening title track. This German only issued album saw Barry team up with band The Verge and move away from what had gone before & stray into heavier rock territory & produced some excellent songs like the fuzz guitar laden ‘Storm Is Brewing’ the single release ‘Cant Let You Go’ & melodic rocker ‘L A Woman’ (nothing to do with The Doors!). It showed Barry was quite at home as a rock & roll singer, not just a purveyor of big ballads. The final 2 discs that make up the compilation consisting of rarities from 1968 – 1979 are peppered with real gems, one of my favourites being ‘Love Is Love’ a song I’ve played a lot on the radio over the years. It was released as a single & reached No 4 in Europe, so I’m surprised it’s in the ‘rarities’ section, however I’m sure 7T’s have their facts straight. Its a magnificent epic song clearly reaching to be another ‘Eloise’ & whilst not quite succeeding is hugely enjoyable complete with Barry’s histronic vocals, it’s a real belter, love it. ‘Lay Down’ ‘Annabelle’ ‘Best Years Of My Love’ ‘Do That’ & ‘Give It All’ are some other personal highlights for me. As i said at the start of this review I’ve waited a long time for a retrospective of Paul & Barry’s work & this new release has repaid the wait. Thank you 7T’s for a great job. For those of you who never got past ‘Eloise’ this is what you missed. Do have a listen if you possible can. Enjoy.
Mick O’Dowd… Very interesting review Colin. I liked P&B because they were light weight and easy on the ear. When you mentioned Eloise the memories came flooding back, What a song and production.
Colin Bell… Mick, Thanks for the thumbs up! There’s some great material on here. I didn’t mention ‘Kitsch’ in my review, just not enough space! another ‘Eloise’ style classic, give that a listen if you’ve not heard it before
Merv Kennard… Eloise my favourite
Alan Esdaile… Wonderful. Love ‘Eloise’
Wendy Weaver… Marion Ryan, the Ryan twins mum, was a huge star in her own right
Colin Bell… She had a great voice, it was her idea the twins take up singing as neither were academic at school & left with no idea of what to do
Michael Grave… Fantastic Artist, and brilliant songwriting from his brother Paul. My favourites are, of course, Eloise, Love is Love, The Hunt, It is Written, and Magical Spiel. Does anyone know if this Box Set Compilation is remastered, and what the sound quality is like?
Colin Bell… Hi Michael, i wrote the review. Yes it has been re-mastered & the sound quality is excellent. They’ve (Cherry Red Records) obviously had access to the master tapes. I should just add I don’t work for them! My response to you comes from 55 years in the music biz. Thanks for your comment Colin
Jon McCallion… My mum always talked about growing up with Marion
Michael Grave… Thank you for establishing the audio quality is excellent on this compilation, Colin. I’ve now ordered it. I have various CDs of Barry Ryan, and this should hopefully top them all. I love Jimmy Webb’s compositions, and was knocked out when I first heard Richard Harris singing MacArthur Park, and his subsequent work with Jimmy Webb, who was a genius songwriter. I guess it was why I loved Eloise and Love is Love so much. The same high drama production values. Never again would I feel the same surge of adrenalin, until Trevor Horn unleashed his brilliant studio creations in the eighties.
Colin Bell… Hi Michael. No problem, I’m sure you’ll have much enjoyable listening. All the best. Colin
