supplied by Robert Valentine
Robert Valentine… Roger Cotton Lead guitar keyboards vocals, Ricky Blakeley Bass and Vocals, John Parrish Drums, Robert Valentine Rhythm and vocals.
Andy Qunta… Beat Rave! What a great phrase that is!
Alan Esdaile.. from Wikipedia… Origin of ‘rave’ (1950s–1970s) In the late 1950s in London, England the term “rave” was used to describe the “wild bohemian parties” of the Soho beatnik set. In 1958, Buddy Holly recorded the hit “Rave On,” citing the madness and frenzy of a feeling and the desire for it never to end. The word “rave” was later used in the burgeoning mod youth culture of the early 1960s as the way to describe any wild party in general. People who were gregarious party animals were described as “ravers”. Pop musicians such as Steve Marriott of The Small Faces and Keith Moon of The Who were self-described “ravers”.
Andy Qunta… Thanks for that, Alan! All hail to the ravers!
Dave Nattress… As I’ve remarked before “Raves” – (Beat Raves) and Bexhill never seemed to make sense. Can you imagine much in Bexhill raving? But that’s what the concerts were called for years and I don’t think any of the bands that appeared there were exactly ravers either back then. I don’t mean this disrespectfully I promise as I started creeping in to raves at about 15 in 1968. There were certainly a few biggish names appearing for sure – mainly pop. I saw The Consortium – “All the love in the world” and I think Chickory Tip – “Son of my father” and others. Probably managed half a pint of Watney’s Red Barrel as well on occasions before getting sussed. For me, and I’ve said this before, undoubtedly the best band I saw there was T2 supported by Bexhill’s own Kult. Mesmerising stuff – I’m back there right now!!
Robert Valentine… Haven’t seen that advert Alan, then I guess I never collected posters of my old bands.