The Dekorators – around 1982

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supplied by Nastassja Kaschevsky

Chris Kimber, Nastassja Kaschevsky, Jeanette Saxby, Doug DuggyFresh Smith, Geoff Saxby.

Tony Ham….They used to play Ma Beeton’s in Rye, the only song I remember them doing though is Jilted John.

Hastings Local Band Photos….Yeah, many a gig in there….think it’s the Ghandi restaurant now!

Geoff Saxby…..The Dekorators broke the world record for non stop playing in January 1985 at Becketts Bar in Bexhill, Devonshire Road. 147 hours…

Tony Ham…..Does it still stand and did they play Jilted John?

Nastassja Kaschevsky….Dave Blackman stood in for me on drums……can’t find anything on the internet about it anywhere!

John Bownas… In reply to Richard Peet, Richard – did you ever reach Geoff? I have his e-mail address in Australia if you want it still. drop me a line john@hastingsflyer.com … by the way… they were all right handed (even the drummer despite the kit looking like it is set up for a left-hooker) … the photos have been reversed 🙂 The record still may stand as Geoff tells me it was dropped out of the Guinness categories while they held it…

Pete Ellis… Andy Ellis and Steve Murphy played for the record breaking week. I believed the record was broken. I have the Guinness Book with the Dekorators mentioned. But sadly it’s a very small / basic entry

 

Candy Choir – The Cobweb 8th March 1969 & Battle Memorial Hall 1970

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supplied by Sarah Harvey

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Alan Esdaile… Good band saw them a few times. Remember at Battle Memorial Hall.

Robert Searle… Good harmony group used to see them the old Sundowners Pevensey Ruskin Arms East Ham.Cobweb,Black Bull Lewisham etc

Mick O’Dowd… Very good band. They were regulars at Cobweb.

Howard Jenkins… Brian Hatt is my Brother in law, he was age 80 earlier this year & has been living in North Wales since 1984. After leaving Orange, he ran his own PA company, his son Paul has maintained the family music connection, also as a sound engineer.

Wilko Johnson at The Black Horse Music Festival 22nd May 1998 by Andrew Clifton.

Martin Richter… fantastic! anyone know how to convert vhs to digital – *somewhere* i`ve got a copy of Divine in concert at Saturdays that needs preserving!

Yvonne Cleland… Damn I wish I’d seen this! However, I saw Doctor Feelgood in Eastbourne when Wilco was in top form.

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poster ad from Phil Little Hastings Music Files. Lead supplied by Neil Cartwright.

Alan Esdaile… Well done to Andrew & Steve Clifton, all those hours filming, no doubt loads of aches & pains from holding cameras but very much appreciated here.

Neil Cartwright… FANTASTIC!! ……. (and he’s using MY curly lead!!!!!).

Paul Dengate… Your curly lead Neil, and he’s using MY monitor mix!!!!

Andrew Clifton… Martin the video was coverted from a video 8 tape using Video forever it does vhs to digital.

Andy Gunton… I was there 🙂

Geoff Peckham… Excellent footage of Wilko Johnson. Great little festival. This was the year I played there with my Cajun band, the MudBugs. I remember it well!

Steve Sampson… Went on the Friday to see Wilko and Monday to see The Blackman Brothers.

Robert Wren… I had seen Dr Feelgood a number of times but that was the first time I had seen Wilko and I felt like I had a last truly seen Dr Feelgood.

 

Tramps Disco Club Warrior Square. 1976/1977

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Pete Fairless…..I’m in shock! These belong in the museum, anyway. What a great bit of social history. Not one over eighteen, I’ll bet!

Joe Knight…..looking good Alan!!!!

Eve Neuke….How many nights did I spend there as a foreign 16-year-old student!

Jim Breeds….Whatever happened to Go-Go girls? 🙁 Gosh, Tramps. I didn’t go there very often but that’s another memory bank nudged.

Mick O’Dowd….They went! Always remember you playing Van McCoy’s The Hustle and I have never heard it sound better than at Tramps!

Jeanette Jones……Great memories:)

Peter Pursglove…..That was my last Venue with Paul Casson RIP , we used to pack them in there

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Andre Palfrey-martin collection

Andre Martin…..Just look what you could get for 40p – great value eh Alan ! from Hastings Observer Autumn 1977

Dawn Leaney… Loved Tramps! The 2 girls nearest the camera in the photo in the middle are Karen and Lynn and they were in my class at school at the time this was taken! We were about 15/ 16 ! 🙂 good times!

Read moreTramps Disco Club Warrior Square. 1976/1977

Eyes Of Blond plus King Rod – Battle Memorial Hall 8th Jan 1971

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photo sourcehttp://www.eyesofblond.co.uk/index.html

Anyone remember or know anything about Eyes Of Blond?

Geoff Peckham… Yes, Eyes of Blond were an excellent band. I was at this gig with Laurie – I believe Tone and Andy too. They opened with the Byrds’ song, “Gunga Din”. I think we covered it for a while after that.

Nigel Ford… I was there too, not sure if this was their 1st appearance there or their second,the second time I was torn between giving a friend of a girl I fancied a lift back to Hollington, which I did (without reward,HUH!) only to return to find the band finishing up!! DOHHH!!! …and it was a cold, foggy night (on my GT200 Lambretta). I think it was the first time I’d seen a band with 2 base drums (well, when they first played there) when they first visited. Heavy Rock sound, from London I think. I was impressed , hence why I was annoyed at missing their second appearance!

Geoff Peckham… I saw them at the Cobweb around this time too. (Or was it a band called Blonde on Blonde?) Unfortunately their drummer collapsed mid-set and the gig was abandoned. They claimed it was because he was on strong antibiotics. Does anyone else remember this?

Alan Esdaile… Yes your right Geoff , they played Hastings, “Cobwebs”, St Leonards Monday, August 17, 1970, Hastings, Combe Haven Caravan Pk. Tuesday, August 18, 1970. I don’t know if Andre has any cuttings?

Phil Wade…  (guitarist and vocalist in photo above, right hand side) comments… The drummer with the two bass drums was Harry Rix (now deceased), but it was Paul (on the left in the photo) who played at The Cobweb in 1970. Neither drummer collapsed on stage Geoff  – perhaps it was Blonde on Blonde? I’ll dig out a photo of the group lineup that played at Battle.Incidentally, our lead guitarist Phil Dimitri now lives in Eastbourne.

Alan Esdaile… Geoff, definitely a band called Blonde On Blonde, I’m sure I have seen them on one of the cuttings but just found this on the web.. was a guitar-led psychedelic rock group from South Wales. The band was originally formed in Newport in 1967

Geoff Peckham… Sounds like them. I remember them being very loud and ‘dangerous’. Some time into the set I noticed the drummer shouting to the others and he was clearly in some discomfort. They didn’t notice until he keeled over backwards and it all came to a halt. Poor guy!

Phil Wade… We split up in March 1971, so you saw us close to the end. Have a look at the web site (www.eyesofblond.co.uk) to see where we came from and why we split. We’d heard of Blonde on Blonde of course (named after a Dylan album) – but our spelling is for males 🙂

Geoff Peckham… I checked it out when the website was posted earlier, Phil. Good stories. Yours is one of the few bands I remember well from that era. Very influential. Just loved “Gunga Din” and other stuff and the way you played them. My band at that time, Factory, probably learned a lot from you guys. We too have met up again recently and we were only talking about you the other day! Never thought I’d be talking to a member in the band shortly after!

 

 

SMART SOUNDS by Colin Bell reviewing Beggars’ Gate Where Once Giants Trod cd

WHERE ONCE GIANTS TROD     Beggars’ Gate

Firstly thank you to Cliff Wootton for providing me with this album for review at last Fridays SMART meet.

Beggars’ Gate are Pete Cornford (vocals/guitar), John Farebrother (guitar/guitar vibesware/Ebow/ambient sound), Steve Harland (keyboards, synth, vocals), Cliff Wootton (bass guitars) and Jules Blake (sound engineer) and the band are based around Tunbridge Wells. I’m sure some of you will know these guys, for those of you who don’t then I urge you to make their acquaintance through this album. I have no wish to try and place the music they make into any particular genre, they have been described as prog/folk/rock, which is I suppose fair, however there are so many other elements at work here, classical, tribal, celtic, ambient are just some of the additional adjectives I would choose to use. The 10 tracks take you on a journey where all the aforementioned elements appear and samples and Gregorian chants also make well placed appearances. The liner notes written by Pete (who I assume wrote all the lyrics) start thus ‘At risk of sounding old fashioned, this recording was always going to be a concept album’. Which sounds slightly apologetic, well let me say there’s nothing wrong with a ‘concept album’ in my book whether it be from the early 70’s or the uneasy world of 2017 we all inhabit. Clearly this is a deeply personal and heartfelt expression for us to take a look at our past and where we might be heading. The crashing waves, chants and tribal drumbeats that kick off the opening title track immediately evoke a feel of ancestry and transport you to a Tolkienesque world of open wild landscapes and create a cinematic image in your head, well they did in this head, then sliding perfectly into the gentler ‘Orkney Stone’ a paen to ancient stones, with some excellent guitar (surely some Floyd influences here) and some damn fine piano. The first of two ‘instrumental’ tracks follow ‘Insolitude’ with a simple haunting piano over natural birdsounds works beautifully as a lead in to the celtic vibe of ‘Banks of Lindisfarne’. ‘Now The Road Is Calling’ has some, for me, of the best lyrics on the whole album and a fine vocal. However lyrically ‘The Walls Of Separation’ essentially a anti war protest song takes first place. ‘Protest’ songs can often come across as shallow and trite (not intentionally), this is far from the case here where the words ring chillingly true and certainly hit their mark and had me returning to this track more than once, a very fine song indeed. The magnum opus of the album I think goes to the final track ‘Sanctuary Gates’ which closes the album in epic form building as it does to a crescendo that fully delivers, and I suspect the band themselves know that.

As I spend the vast majority of my time reviewing national and international artists its a pleasure to have something ‘local’. I wish Beggars’ Gate all the luck with this release  and getting it out there to the widest possible audience to enjoy.

Til next time………..Colin

Alan Esdaile… Sounds GREAT. I’m playing it at the moment and also heard Sarah Harvey play it on her show last night.