Janine Hemsley… That’s the year I invested in my first one, great mic.
Chris Howard… SM 58 Great Microphones, still have mine.
Terry Tollan… Shure Unidyne B 517SB Grey and SM58 still got them too
supplied by Andre Martin
Andre Martin… 51 YEARS OF THE WHO 5 January 1966. The Who appeared in the opening broadcast of a new TV programme aimed at British youth, A Whole Scene Going. The show was presented by Barry Fantoni and Wendy Varnals and was broadcast from 6.30 to 7.00pm on BBC 1. The show’s other guests were Spike Milligan and Lulu. The Who mimed to two numbers, ”Out In The Street’ and ‘It’s Not True’ and the show included a short film excerpt of The Who in action the previous summer at the Witchdoctor Club, Hastings. The show also included Pete narrating about The Who, fashion, pop art, and musical trends. Towards the end of the show Pete, seated on a stool, was grilled with questions from presenter WendyVarnals and members of the audience. Like to watch the full programme? Here it is in two parts.
Alan Esdaile… Well worth watching.
Peter Fairless… That’s so cool!
Andre Martin… Well there is another memory of our (mis-spent) youth as SME described at the time.
Peter Fairless… Not mine, I would have been watching Blue Peter!
Andre Palfrey-Martin collection
Mick Knights… Yep, was at this one, but as I remember the rest of the town,s youth had other plans that night!
Andy Qunta… Ah, those were the days alright!
Andre Martin… Well that was the way to get round the Sunday licencing rules in the day= create a Club night ! And look who has taken over the Pier Promotions on 6th January – John Schofiled with his Strand Entertainments.
anyone remember the compilation albums from Track Records?
Side 1:
1. Walk On Gilded Splinters – MARSHA HUNT
2. Hey Joe – JIMI HENDRIX
3. Devil’s Grip – THE CRAZY WORLD OF ARTHUR BROWN
4. Pictures Of Lily – THE WHO
5. All Along The Watchtower – JIMI HENDRIX
6. Desdemona – JOHN’S CHILDREN [featuring Marc Bolan of T.Rex]
Side 2:
1. Fire – THE CRAZY WORLD OF ARTHUR BROWN
2. I Can See For Miles – THE WHO
3. Follow Me – EIRE APPARENT
4. It’s Been A Long Time – ANDY ELLISON
5. Call Me Lightning – THE WHO
6. The Wind Cries Mary – JIMI HENDRIX
John Mcewen… I had one many years back. Only track I can remember on it was Armenia city in the sky
Chris Baker… Some great tracks on that one! 🙂
Patrick Lewis… Have got the Backtrack with one side of the Who and one side of Hendrix. Can’t remember what number but has a blue ish cover.
James Turner… I lied just checked and I have backtrack 4 and 5 Who and Hendrix and backtrack 9 The Who.
Mick O’Dowd… Yeah I do. Some weird tracks on some of them but great stuff.
John Storer… Andy Ellison went on to form The Radio Stars and play the Pier second on a bill to Eddie & The Hot Rods. Squeeze were the first band on that night. The Eire Apparent track was produced by Hendrix, who also played on it. The band featured Henry McCullough who went on to be a member of Wings.
Mark Asseenontv Scutchings-Stevens… One of the first albums that I bought ! 🙂
Jan Warren… I still have some!!
Patrick Lewis… Jimi Hendrix’s first two Albums released by Track in their budget range about 1970-71. If I remember they were £1 each at a time when a full price album was about 38/- in old money. Have them both.
supplied by: Andre Palfrey-martin collection
The month continues and we are now almost at the next Bank Holiday Weekend. However it is still only Saturday 20th August 1966, over on the Pier the entertainment continues to attract many different visitors and residents alike. This Saturday it is the return of one of the most popular regular bands that appear in the Happy Ballroom – Tony Strudwick Big Band Party Night. The big attraction for the young people comes on Sunday with a return visit from The Who – the band had been recently on major tours in France and would shortly being going to Scandinavia, their music included such standards as Heatwave, Dancing in the Street, Barbra Ann and Daddy Rolling Stone, plus I Can’t Explain, Substitute, I’m Boy, A legal Matter & My Generation. They were working on their second album at the time – “A Quick One”. Tuesday it was Wrestling and in addition to the “Sensational American Style Tag team Contest” included in the bill was the Heavyweight contest between Steve Veidor and Al Fontayne. The week ended with Tony Strudwick Show Band. Friday night [19th] it was a great start to the weekend with the visit to “Ready Steady Go” Cathy and Keith in the hot seats and presenting live in the studio Cliff Bennett & The Rebel Rousers : Got to get you into my Life, Salena Scott : I am Yours, Manfred Mann : Just Like a Woman & You gave me somebody to Love, Twice as Nice & The Who : A legal Matter & I’m a Boy. This would also have seen one of the very first appearances of Mike d’Abo in the new line up for Manfred Mann, with Paul Jones having left earlier in the summer. The Witch Doctor following its summer schedule of groups only on Saturday Night – this week it was a visit for the Oxford group Felders Orioles and the Yes “n” No. On Sunday Night it was a Record Rave and the rest of the week advertised as “ make sure you’re in the In crowd”
Let’s take a look at what was on radio, BBC Light Programme for Saturday – 10.00am Saturday Club – Brian Matthew introduced Manfred Mann, Twice as Nice, The Fourmost, Friday Brown & The Checkmates. Later in the day on Swing into Summer included Barron Knights, Acker Bilk, Clinton Ford, Ivy League, Billy J Kramer, Pinkertons Assorted Colours, Searchers, Jackie Trent & Wout Steenhaus. With the football season being under way, another feature on Saturday Afternoon – Association Football was back followed by Sports Report. In the evening it was time for BlackPool Night with Ken Dodd, Mrs Mills and Freddie Davies. A regular visit to the Promenade Concerts would have been followed with Time for Latin and Simon Dee.
On television – BBC 1 had Cricket with Brian Johnson, Peter West, Denis Compton and Richie Benaud, followed by Grandstand. Juke Box Jury this week with David Jacobs chairing –Don Moss, Patsy Ann Noble, Meg Wynn Owen and Fred Emney on the panel. Later in the evening the programmes included Laurel 7 Hardy, Creicket, Till Death us do Part, The Troubleshooters and a Visit to the Edinburgh Military Tattoo with Tom Fleming giving the commentary. On Sunday we had a choice of BBC Light Programme – David Nixon, Children’s Favourites, Mrs Mills and Easy Beat. The forces link up this week at noon would include London Koln and Borneo, later in the afternoon it was the Morecomb & Wise radio Show, Movie Go Round – How to steal a Million with Audrey Hepburn and Peter O’Toole. Singe something simple followed by Steptoe & Son. Sunday half hour this week came from HMPrision Exeter. A womens hour special from Moscow was followed by Jazz scene. Over on television there was “It’s a KO” between Lytham St Annes and Fleetwood, and Ked Dodd from Blackpoo was another high light of the day
Over on the Pirate ships, this week’s charts would include Big L Radio London: Small Faces: All or Nothing, Ken Dodd : More than Nothing, Beatles : Yellow Submarine, Napoleon XIV : They’re coming to take me away, Ha Ha. Cliff Bennet & The Rebel Rousers : Got to get you into my Life. Over on Caroline South – Beatles : yellow Submarine, Beach Boys : God only Knows, Lovin Spoonful : Summer in the City, Mamas and Papas : I saw her again last night, Los Bravos : Black is Black. Here we are at the end of the week, and from records it shows that the weather went from warm in the early days to wet and cooler towards the end, I do recall that we had several days of heavy rain towards the end of the month, so much so that on some of the bus routes, the water came under the doors and made the floor a little wet and slippery. The 900th celebrations continue towards their climax on 14th October, and the town was decked out with bunting and flags making it very festive. Until next week episode, all take care out in the big wide world and watch this space for events and changes that are about to take place.
Andre Palfrey-Martin © 2016
Here’s The Who a few weeks later at Felixstowe on 8th Sept 1966.
Andre Martin… OMG – Lynne that would have been within 200 yds of my Uncles house in Felixstowe, I wonder if my Lynne cousin would have been at that.
Peter Fairless… Hastings Pier 21st August, 50 years ago, today!
Andre Martin… As you say Pete, 50 years ago almost to the minute – the headline bands would start their act around 9.00pm/9.15pm to ensure that it was completed by the early Sunday Closing hours. No quite sure if that was the National Licencing Hours or Bob Knight’s Rules !!
Jim Breeds… Thanks as always Andre for an entertaining piece. Ked Dodd from “Blackpoo” boggles the mind, though! 🙂
Andre Martin… I could say a typo – but if you have ever work with Ken Dodd, you never knew when he would end, I have seen him stretch out a 1hrs cabaret for over 3 hours ! so I left the last “l” untill the show wnds. Hope your feeling better and enjoying getting out and about.
supplied by Colin Bell
Colin Bell… I was working on a piece for the SMART website on The Who, then on Friday at the last get together the subject of The Who, Roger Daltrey and Hastings Rock came uu, So ive combined several threads together, to answer some questions, provide some info, have a few laughs and appeal for some help from the wonderful SMART community.
‘I Can’t Explain’ a pivitol record by anyones standards introducing The Who to the world. Recorded at Pye Studios in November ’64,
the session didn’t go smoothly….Shel Talmy the American producer drafted in some session players..As Roger was later to say to me ‘ producers paranoia, he didn’t think we were any bloody good to play’…! Hence the presence of Jimmy Page and Clem Cattini(legendary drummer with the Tornados, and a man who has played on more Hit records than you can shake a (drum) stick at. The upshot was Jimmy Page did play on the record, underneath Pete. Moony’s reaction…’get that F*****g bloke out the studio before I F*****g kill him!….Ah God bless Moony!
I first saw The Who live on Hastings Pier in 1967 (im sure lots of SMARTIES did). From that day on I was a die hard fan of the greatest live rock band in the world. I never imagined then that some years later I would be privileged to work at Track Records in Old Compton Street in Soho, home label to The Who, Hendrix, Arthur Brown, Marc Bolan, Marsha Hunt etc etc. Great days and many fond memories. Fast forwarding now to 1995 and Hastings Rock FM. 1995 was a crucial year for the station that its founder Nick Thomas had and has worked so hard to bring to air, great guy. This was the last RSL broadcast before the Radio Authority granted a local licence, I suggested to Nick that it might help to get some more publicity for the station in the pursuit of a permanent licence if I got a few ‘names’ to come on my show and do some interviews. Roger being local was top of my hit list. The studio at that time in December 1995 was in the Old Dairy in Silverhill (since demolished).
It was bloody freezing that year with thick snow. With no real conviction he’d agree to come on I rang him at home
and explained the situation and very generously he said ‘Ok mate for old times sake i’ll come in and do it’. We arranged to meet in The Clarence for a pint first…whilst in there a punter said,,nervously..’your Roger Daltrey!’…the reply deadpan from Roger ‘nah im a fish farmer’….So we crossed over the road to the studio and went live with the interview, he was great and gave over an hour and a half of chat to the people of Hastings an extroadinary amount of his time. It was great fun and he insisted on having the monitors in the studio at full blast..no change there! Very sadly as we all know the licence didn’t go Hastings Rock way, but Hastings Rock has of course lived on to great effect by Nick and his team, and long may it continue!
Now to the appeal for help bit…the only recordings made of this interview and others (i’ll list later} were on a vhs tape machine running off the desk.
I think ive located a copy in my archives and Sarah Harvey has kindly offered to get this transferred to CD.
Copies can then be made available to any one who would like them (free of charge). If you happened to make any recordings and still have them please get in touch via SMART. And we can preserve a bit of Hastings musical history. Thank You.
For Info the other guests who gave of their time and have played/or had connections to Hastings and appeared on my shows were:
Live in Studio:
Denny Laine (Moody Blues/Wings
Peter Sarstedt {who performed Where Do You Go To My Lovely..and dropped Hastings into the lyrics)
Annie Haslam (Renaissance)
Steve Hyams (British Lions/Mott)
The Dharmas (later to become Steadman)
LIVE ON PHONE:
Chris Farlowe
Kenney Jones (Small Faces)
Pat (PP) Arnold
Linda Lewis
Andy Scott {Sweet}
Dave Hill (Slade)
Steve Hogarth (Marillion)
Mick Abrahams (Jethro Tull/Blodwyn Pig
Suzi Quatro
John Steel (The Animals)
Thunder.
Bruce Dickinson (recorded, but not broadcast.
Look forward to seeing everyone at next meeting and as ever kudos to Alan for all his hard work!
Alan Wood… Great article ,thanks
Andy Qunta… Excellent! I love The Who, especially Roger, who was very good to Factory! I went to the record shop after I first heard Can’t Explain, not knowing what it was called or “who” it was by. I sang the chorus to the guy behind the counter, & he somehow recognized it! Who fan ever since! Thanks, Colin, & SMART for posting this!
Valerie Morris… I worked for Track Records … I PA’d for David Thornton-Pickering … Kit Lambert and Chris Stamp. Vernon was a great friend and I did the promo at the BBC for Arthur Brown … Fire … many many memories of The Who, Dave Rafael, Marsha Hunt…… Valerie
Neil Partrick… Why is one of The Who’s most diverse, most accomplished albums, so unknown and so often disregarded? Perhaps because it wasn’t understood in the time it was released in. Townsend was decidedly out of favour with rock’s self-appointed literati who saw the band as a middle-aged rock stadia irrelevance. Yet listening without prejudice reveals some of their best ever songs; songs with relevance then and arguably even more now. Who, in the realm of popular music at least, has ever tried to take on the subject of manhood (‘A Man is a Man’) and successfully captured the absurd expectations, contradictions and, sometimes, quiet bravery that it can encompass? ‘It’s so hard’, as a line in the title track notes, to be true to yourself, to be honest, to be consistent. Perhaps if men (and this is a man’s record) could adopt Townsend’s advice in the song ‘Cry If You Want To’, then failure could really be success. This track is part male rock bombast (check out the sonic guitar solo) and part emotional advocacy. Cry, because your childhood illusions have been destroyed – as we now know Townsend’s were – and the sloganizing political simplicities of adolescence cannot capture global complexities. In a further example of the song-writing thread running through this album, ‘I’ve Known No War’ contrasts the then (and still) very topical abhorrence of nuclear weapons with experiencing war, and in whose wake The Who and others railed against the very notion of gratitude for past sacrifice. This song (and ‘The Green Fields of France’) should have found a place amongst the war memorialisation that yesterday marshalled the masses in an echo of 1930s regimes but with even less historical or political context. There are a few non-classics too, though the danceable ‘Eminence Front gets close while ‘Cooks’ County’, ‘Dangerous’, etc ain’t filler. One of the most extraordinary tracks is the short but overwhelming ‘One Life is Enough’. It could have been an imagined Townsend/Lloyd-Webber partnership in its stagey-ness, but is almost operatic in the lyrical and vocal ambition that Townsend-Daltrey bring to bear.
Tim Barton… ditto Face Dances
Robert Searle… Still have my vinyl copy
The Who photo © Jean-Luc Ourlin
Those nice people at Sound On Sound magazine have been in contact and I was happy to help them with a forthcoming article they are doing about Hastings Pier. They also sent us these very interesting links about 70s-era sound/PA equipment to share with our group.
http://www.soundonsound.com/people/charlie-watkins – A Charlie Watkins retrospective (he of Watkins / WEM fame)
http://www.soundonsound.com/techniques/isle-wight-festival-sound – A piece about the Isle Of Wight live sound
http://www.soundonsound.com/people/my-generation-fifty-years-who An interview with Bob Pridden (The Who’s live sound engineer since the very beginning)
Pete Fisher… coincidentally this is what I looked at yesterday when I posted the clip of Taste at the IOW festival, and wanted to find out more about the Wem PA system…good read!
Roy Penfold… That used to be essential reading back in the day. Is it still available? I know there is the website but haven’t seen the magazine anywhere for a long time.
Alan Esdaile… Magazine is still available Roy.
Pete Fisher… And on Facebook.
Anyone fancy a trip to California?
Joe Knight… Why couldn’t they chose CAMBER SANDS
Neil Steadman… How much are the tickets?
Alan Esdaile… It looks like $399 plus fees for a three day pass, plus the cost of getting their, accommodation etc but the biggest problem will be getting your hands on a ticket.
Neil Steadman… Norwegian airlines look reasonable, £450 return.