photos by John Kenward supplied by Hastings Music Files – Phil Little http://www.littledrum.co.uk
David Evans… Looks like the photographer tried to get the whole band in the photo but couldn’t get it right.
Alan Esdaile… Nice one David.
Colin Fox… Johnny Sax live just up the road from me here in Spain. He used to play with Climax Blues Band. Very popular in the clubs and bars.
photo Colin Fox
Ken Russell… Great band.
all photos © Bill Third
Colin Cooper on lead vocals & sax, Pete Haycock on Fender Telecaster, and Derek Holt, who co-wrote the book, John Cuffley drummer, obscured by cymbal. Windswept Bill Third shows the front cover. Publisher Robert Forsyth, right, shows double page spread of my pictures of Climax Blues Band in ‘Shining On 1977-1982’ the second volume of his illustrated history of the band.
Bill Third… One thing leads to another … In 2016 Alan Esdaile kindly invited me to choose my top 12 tunes from the 60’s and 70’s for his Johnny Mason show on HCR Hastings Conquest Hospital and local radio station. To give him some background info, I sent copies of articles I’d written for trade publications like ‘‘Studio Sound’, including the first story to be filed on George Martin’s Air Studios in Montserrat in 1979. This included photos of Climax Blues Band, the first artists to record there, who were also the first to record at Air Studios in Oxford Street. Co-incidence? Serendipity? So many things happen by chance.
Alan Esdaile remembered these photos when he was contacted in 2020 by Robert Forsyth, a publisher who loves the Blues in general and is a devotee of Climax Blues Band in particular. He was preparing the first volume of an illustrated history of the band and was already looking for photographs of them performing for the second volume ‘Shining On’ covering the period 1977-1982. Being the obliging fellow he is, Alan kindly put me in touch with Robert and we met up in Hastings in November 2020. We got on well and I was happy for him to use my pictures for this publication, as was Richard the friend in Montserrat, who had also taken pictures at the studio and of the band.
In November this year I heard from Robert Forsyth that ‘Shining On’ was ready and we met on Monday 19th Dec. at Warrior Square station for him to hand over my copy in the shelter of the Rye Bakery. I was very pleased with the results, particularly the three-page display he’d made of my photos of Climax’s charity gig in the Paragon Club in the capital Plymouth, to help raise money for a local girl who needed an operation.
Robert, who has links to Hastings via ‘Hastings Rock’’, where he has DJd, is a thoughtful man and on page IX of the book he devotes a section to my song ‘Dancing Blind’, the background and the fund-raising effort for the RNIB, via billthird.bandcamp.com as well as pledging a small percentage from the sale of each copy of the book equally to Dancing Blind and Music Against Cancer.
I was pleased to be able to help Robert out, and to recall the wonderful time and interesting people my wife and I had met on Montserrat. My story for ‘Studio Sound’ proved to be the first of many for their ‘Studio Diary’ pages.
photos supplied by Robert Forsyth
Robert Forsyth… I wonder if any of your readers might be able to help? It was while I was presenting the blues shows on Hastings Rock back in 2016, that I realised that my long-time favourite band, the Climax Blues Band, would be celebrating the 50th anniversary of the release of their debut album in 2019. For me that was a very good reason to look at the possibilities of writing a ‘biography’ of the band.
The band was formed in 1968 in Stafford as the Climax Chicago Blues Band and comprised Colin Cooper (vocals, sax, hamonica and clarinet), Pete Haycock (guitars), Richard Jones (bass), Derek Holt (rhythm guitar & organ), Arthur Wood (keyboards) and George Newsome (drums) Best known in the public eye for their 1976 hit ‘Couldn’t Get it Right’ and 1981’s ‘I Love You’, the band went through some subtle name changes as well as line-ups, but still play today.
Sadly, two of the band’s founding members, Colin Cooper and Pete Haycock, are no longer with us, but I am delighted to say that the book is now at an advanced stage and many members of the band have supported the project as well as family members, former management, road crew, sleeve designers and other associates. The reason for writing, however, concerns a gig Climax played at the Ballroom on Hastings Pier on 9 May 1998. (see https://ninebattles.com/tag/climax-blues-band/ ) Phil Little wrote a marvellous review of the performance in print, but I was writing in the hope that perhaps some of your readers have recollections of that gig (or any others!). At the time, the line-up comprised Colin Cooper, George Glover (keyboards), Lester Hunt (guitars), Roger Inniss (bass) and Roy Adams (drums).
Many Thanks. Robert Forsyth.
Alan Esdaile… As always, happy to pass on any messages.
Colin Fox… In 2009, Johnny Pugh, (now known as Johnny Sax), and lives about ten minutes from me in Spain, joined Climax Blues Band as vocalist, sax and harmonica player and brought a tremendous amount of quality to the band, leading very much from the front. This is him in the video:
https://www.youtube.com/watch?v=FTzRooW7HX8
This is a photo of the band with Johnny Pugh on saxaphone. He lives close to me and plays local pubs and clubs, as well as going back to his home town in Essex to play sometimes. He now goes under the name Johnny Sax.
Robert Forsyth… Much obliged Colin. Yes, I plan to contact Johnny shortly, as I work through things chronologically. Many thanks again.
Robert Forsyth… Dear all, I am sending this as a (fourth) periodic bulletin/update to everyone who has kindly helped with the Climax Blues Band book project over the past three years. I am conscious that some of you may well have been wondering what’s been happening; well, the good news is that the draft is now finished and runs out to 309,000 words! On top of that is the enormous collection of illustrated material that has been so kindly contributed by many people, detailing various aspects of the band’s history. It really is incredible. As I worked on the closing chapters of the book, simultaneously I was very fortunate to make contact with a small number of people who have been kind enough to offer some amazing photos from their private collections: for example, these include rare and stunning sets of images, most of them previously unseen, showing Climax playing in Switzerland in 1970, in Belgium in 1975, recording in Montserrat in 1979 and at gigs in the US Midwest and West Coast in the mid to late 1970s. I can assure you, that thanks to the generosity and goodwill of certain individuals, it really will be worth the wait. So right now, I have the difficult task of deciding what will not go in the book! But I also have a cunning plan that may, longer term and depending on how the book is received, go some way to solving that problem. Suffice to say that the way things stand, it looks like the book is going to take the form of a large format (poss 303 x 226 mm), coffee table-style and probably quite heavy(!) hardback volume of ca 480-500 pages, with between 600-650 illustrations including black & white and colour photos, plus images of posters, badges, promotional material, stage passes, advertisements and other items of ephemera covering the history of the Climax Chicago Blues Band / Climax Chicago / Climax Blues Band from 1968-2019. I regret the delay, but if I had rushed it, I would have missed some historically important and fascinating interviews, as well as much of the above illustrated material. My hope is that design and layout will commence within the next 5-6 weeks; this can only take place once I have gone through my draft again and worked on the photos and captions.The book will be a limited edition collectors’ volume, with high quality production values and colour throughout and will only be available through the website which I will shortly be setting up for the book. I will also soon be setting up a Facebook page. I’ll let you know when these are up and running so you can stay up to date as we go into the production process and head towards print. Thanks for your patience. Hopefully not long now! For those of us in the northern hemisphere, enjoy the spring! OK – I’m back to it… With best wishes, Robert Forsyth
Uli Twelker…Hello Robert Forsyth! Fortunately, the first volume of your Climax book has come out in 2020. Unfortunately, it’s out of stock everywhere. Do you know when it will be available again? Thanks very much in advance! Uli Twelker, Bielefeld, Germany.
Robert Forsyth… The first volume of my history of the Climax Blues Band – ‘Using the Power 1968-1977’ was published in August 2020. I had no idea how things would turn out as I set off down the path of attempting to writing a book on the band (and didn’t expect much to be honest!), but after nearly five years of research and interviews, I was amazed at how generous, kind, warm and open the former members of the band, their families, friends and associates were. Indeed, so deluged was I with material that in the end I took the decision that in order to get as much information in as possible, rightly or wrongly, I would split the work into separate volumes. So ‘Using the Power’ covers the period leading up to the band’s formation in Stafford in 1968, through the early ‘blues years’ up to the release of the (unexpected) hit single ‘Couldn’t Get it Right’. The book is an A4 hardback and crammed with text and hundreds of rare photos, posters, ephemera etc. I self-published it as a limited edition book and full details can be found at https://www.moonshineeditions.com You can read reviews from ‘Blues in Britain’ and ‘Blues Matters’ magazines on the website. I’m afraid Volume One is sold out, but I have a very small number of very slightly less than perfect copies. I would be happy to sell these at a discounted price while they last, so if you are interested, contact me through the website. I hope to release Volume Two next year. My sincere thanks to Alan for kindly lending me the oxygen of interest and support!